The series “Chief of War” kicks off with a stunning scene: Jason Momoa, as Kaʻiana, appears almost divine, his body burnished and muscular, as he dives underwater to lasso a shark. This intense struggle between predator and prey powerfully foreshadows the show’s central narrative – the true historical epic of Hawaiʻi’s unification, encompassing Maui, Oʻahu, and Kauaʻi, by Kamehameha (Kaina Makua) between 1782 and 1810.
After successfully capturing the shark, Kaʻiana utters a profound statement: “in your death may life be preserved.” This line beautifully underscores the deep, respectful bond between humanity and nature, a recurring theme in the series.
Chief of War (Hawaiian, English)
Originally conceived to focus on Kamehameha, the creators Thomas Paʻa Sibbett and Jason Momoa (also an executive producer) made a pivotal choice to tell the story through Kaʻiana’s eyes. This decision brilliantly opens up diverse narrative avenues, enriching the series’ depth.
Kaʻiana holds a unique position as the first high-ranking islander to journey across the globe, gaining invaluable insight into European customs and warfare. His character is tragic, as his travels reveal a harsh truth: “the pale man’s greed is stronger than any god or prophecy.”
Initially serving King Kahekili (Temuera Morrison) as a war chief, Kaʻiana resigns his post after the Battle of Oʻahu, profoundly disturbed by the senseless slaughter of innocent farmers.
Fleeing a furious Kahekili, Kaʻiana embarks on a journey with his step-brothers Namake (Te Kohe Tuhaka) and Nāhi (Siua Ikaleʻo), his wife Kupuohi (Te Ao o Hinepehinga), and her sister Heke (Mainei Kinimaka). Amidst the historical backdrop of political intrigue, prophecy, and intense bloodshed, the series shines by beautifully highlighting the deeply human core of its narrative.
The series tenderly portrays Kamehameha’s deep affection for farming and cultivation over conflict, reflecting his wisdom through the land, stating, “The quality of the taro is seen in its shoots.” Equally compelling is his queen, Kaʻahumanu (Luciane Buchanan), a visionary woman who desires prosperity for her husband, her people, and herself. Intriguingly, a burgeoning attraction between Kaʻahumanu and Kaʻiana adds a layer of tension, much to the displeasure of her father and Kamehameha’s chief counselor, Moku (Moses Goods).
Keōua (Cliff Curtis) harbors profound jealousy and anger towards his cousin, Kamehameha, after their father, King Kalaniʻōpuʻu (Branscombe Richmond), designates Kamehameha as war chief. This resentment leads to severe repercussions, dramatically symbolized by Keōua knocking out his own tooth to mark the end of mourning and the declaration of war.
Meanwhile, Prince Kūpule (Brandon Finn) grows increasingly concerned by his father Kahekili’s extravagant actions. In Kaʻiana’s prolonged absence, Namake and Kupuohi find solace in one another, creating a complex shift in dynamics upon Kaʻiana’s unexpected return.
The arrival of Westerners introduces key figures such as John Young (Benjamin Hoetjes), who is shipwrecked on the island; Captain John Meares (Erroll Shand), who comes to Kaʻiana’s aid on Maui; and Tony (James Udom), who imparts English language skills and knowledge of “red-mouthed weapons” to Kaʻiana.
While the extensive use of ʻŌlelo Hawaiʻi, the native language, has been noted, it actually serves to deeply immerse viewers into the world of the series. From the third episode onward, with European characters entering the scene, English is introduced, justified by a clever plot device: avoiding spies! The show’s action is unyielding and often graphic, as exemplified by an episode titled “Day of Spilled Brains.” The holua sled racing scene, in particular, is absolutely breathtaking.
Visually, the series is a triumph, with stunning cinematography capturing everything from verdant hills and pristine azure seas to formidable, lava-spewing volcanoes. The costumes are equally magnificent, featuring proud feathered headdresses known as mahiole and intricate, captivating tattoos. The musical score, a lush, layered, and utterly addictive soundscape, is a collaborative masterpiece by composers Hans Zimmer and James Everingham, alongside native Hawaiian musician Kaumakaiwa Kanaka’ole.
Despite being initially planned as a mini-series, the captivating finale cleverly sets the stage for a highly anticipated second season.
“Chief of War” is currently available for streaming on Apple TV+.