Even the most unassuming stories can blossom into captivating cinema when handled by a skilled storyteller. In Avihitham, director Senna Hegde, alongside co-writer Ambareesh Kalathera, masterfully crafts a compelling narrative from what initially appears to be a simple premise, holding the audience’s attention throughout.
The film delves into the pervasive nature of gossip, whether it spreads through traditional village squares or modern online platforms. The plot ignites when a jobless man, during an aimless evening stroll, witnesses a clandestine encounter between two neighbors. With only one person’s face discernible, his idle curiosity quickly spirals into an obsessive mission to uncover the identities involved in the presumed illicit affair and expose them.
Movie Details:
Title: Avihitham (Malayalam)
Director: Senna Hegde
Cast: Unni Raja, Renji Kankol, Vrinda Menon, Vineeth Chakyar, Rakesh Ushar, Dhanesh Koliyat
Runtime: 105 minutes
Storyline: A small village is thrown into a frenzy when a rumor of a secret affair spreads, leading a group of judgmental residents to devise an elaborate scheme to expose the alleged couple.
Initially, one might question if such a straightforward plot could sustain a feature-length film. However, Hegde’s distinctive talent for crafting memorable characters and infusing natural, often humorous, dialogue shines through. The rumor itself becomes a living entity, consuming the villagers and driving the narrative forward. The film brilliantly keeps our attention, transforming into a sharp critique of the intrusive and judgmental attitudes prevalent in every society.
While a twist regarding the identity of the second person in the affair is present, it’s not entirely unpredictable. The true strength of the screenplay lies in its shift of focus: portraying the community’s dramatic and almost military-like response to the gossip. Their elaborate plan, including a makeshift watchtower atop the village water tank, highlights their obsession. Hegde, without seeking grand statements, demonstrates remarkable clarity in maximizing his available resources—from the lean storyline to his talented ensemble cast.
Senna Hegde previously established ‘Made in Kanhangad’ as a hallmark for humorous and compelling storytelling, as seen in films such as Thinkalazhcha Nishchayam and 1744 White Alto. These star-free productions captivated audiences purely through their strong writing and direction. While his last film, Padmini, which wasn’t set in Kanhangad, didn’t quite achieve the same impact, Avihitham marks Hegde’s triumphant return to his independent filmmaking style, powered by its vibrant narrative rather than celebrity appeal, and reigniting his ‘indie mojo.’
Avihitham is currently screening in theaters.