In the latest Dummies’ production, Filter Coffee, masterfully crafted by Sreevathson, a universal truth unfolds: where one dream concludes, another is often ready to begin. This play introduces us to Sahasra, Satvik, and Priya, whose initial aspirations come crashing down when their IT company lays them off. This unexpected turn becomes the catalyst for their next big adventure.
The narrative finds its grounding when Satvik, a tenant, lives in Ramaswamy Iyer’s home. Ramaswamy runs a charming local coffee shop, renowned for its authentic South Indian filter coffee. Sahasra and Priya soon join Satvik in his rented space, cleverly reassuring the traditional and somewhat orthodox Ramaswamy that their stay is purely temporary until they secure new jobs. One ordinary day, as Sahasra searches for job openings online, she begins to sing ‘Bhagayatha lakshmi baramma,’ with Satvik joining in. Priya, enchanted, spontaneously dances to Satvik’s rhythmic jatis. It’s in this moment of shared creativity that their second dream takes flight.
Inspired, the trio decides to form a band, aptly named ‘Filter Coffee.’ Their unconventional stage? Ramaswamy’s very own, previously quiet coffee shop. With a fresh coat of paint and renewed energy, the once-dull shop transforms into a vibrant hub, attracting both young and old. As their music gains popularity, sales at the coffee shop skyrocket, much to Ramaswamy’s delight. However, success brings new challenges. The band’s growing demand leads them to leave Ramaswamy’s home and his shop. They establish a grand office, accept numerous bookings, and find themselves swamped with commercial obligations. But this newfound success also sparks friction and ego clashes among them. Eventually, the band members confront a profound realization: music, when pursued as a soul-satisfying art form, brings immense peace. Yet, when it becomes a purely commercial endeavor, it inevitably attracts the complexities and pressures common to any business. The central question emerges: will they choose the path of commercialism or remain true to their artistic passion? It’s a timeless dilemma — art for art’s sake, or art as a lucrative profession.
Dakshin delivers a standout performance as Satvik, capturing his character’s journey from anxious job seeker to soulful musician. His portrayal is versatile, whether he’s fretting over the future, playfully engaging with Sahasra’s witty remarks, appearing endearingly awkward during a courtship, or reflecting deep introspection after a music competition loss. R. Gayatri shines as Sahasra, captivating the audience with her superb singing and delightful banter. The play’s diverse dance segments, encompassing classical, modern, and folk styles (including energetic kavadi and silambam), are expertly choreographed by Shruti. Complementing these visual feasts is the truly delightful music composed by Dakshin, who carries a rich musical legacy as the grandson of the esteemed music director V. Dakshinamurthy.