A couple embarks on a quiet Amsterdam getaway in the contemplative drama, “Midwinter Break,” exploring the subtle strains within a long-standing partnership. Stella, portrayed by Lesley Manville, is a retired teacher and devout Catholic. Her husband, Gerry, played by Ciaran Hinds, is a retired architect with a fondness for a drink. Having left Ireland for Glasgow during the Troubles to raise their son in a more peaceful environment, they now find themselves empty nesters, feeling, as Stella puts it, ‘exiles from each other.’
Directed by Polly Findlay and adapted from the novel by Irish writer Bernard MacLaverty (who co-wrote the screenplay with Nick Payne), “Midwinter Break” unfolds as a leisurely, traditional film, marked by a sentimental score and a generally subdued tone. For much of their time in Amsterdam, Stella and Gerry maintain an agreeable facade, adhering to the polite customs and comfortable silences forged over decades of marriage. However, this seemingly cozy bubble bursts when Stella reveals her deep yearning for ‘a more devout life.’
The film’s primary challenge lies in its pacing. The catalyst for the story is Stella’s decision to book the vacation in the opening scene, yet tangible conflict is scarce until much later, when Stella finally articulates her feelings of unfulfillment to her husband. Gerry’s reaction is one of near bewilderment, and it’s hard not to empathize with him – their shared moments, though perhaps a bit bland, appear outwardly harmonious.
Ultimately, the strength of “Midwinter Break” rests squarely on the shoulders of its exceptional lead actors. Lesley Manville and Ciaran Hinds are captivating to watch, even during the most mundane moments, like fumbling for reading glasses. Unfortunately, these small gestures often constitute the dramatic high points within an otherwise unremarkable narrative.
Midwinter Break
Rated PG-13 for drinking and disillusionment. Running time: 1 hour 30 minutes. In theaters.