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James Van Der Beek, Teenage Heartthrob of ‘Dawson’s Creek,’ Dies at 48

February 11, 2026
in TV Show
Reading Time: 8 min

James Van Der Beek, the beloved golden-haired actor who captured hearts as the quintessential coastal-town teenager navigating the tumultuous waters of first love and burgeoning adulthood in the iconic turn-of-the-millennium TV drama ‘Dawson’s Creek,’ passed away on Wednesday at the age of 48.

His passing was confirmed through a heartfelt announcement on his official Instagram account. Mr. Van Der Beek had courageously shared his diagnosis of colorectal cancer in November 2024.

When ‘Dawson’s Creek’ first graced our screens in 1998, Van Der Beek embodied the 15-year-old protagonist, Dawson Leery. He was a wide-eyed, fresh-faced high school sophomore, seemingly trapped in perpetual innocence. Dawson, an aspiring filmmaker, was often portrayed as overly sensitive, vulnerable, and a touch self-absorbed – traits common among the show’s remarkably articulate teenage cast, who always seemed to possess wisdom beyond their years.

In a memorable Season 2 moment, he pondered, ‘Why is my mere presence suddenly a detriment to your happiness?’ He famously described unrequited love as ‘unyielding, merciless torture.’ To his closest male friend, he offered sagely, if somewhat unrealistic, relationship advice: ‘The only thing you can really do is make sure that the time she spends with you is as stress-free as possible.’

Kevin Williamson, the visionary creator behind the series, acknowledged in a 2018 interview with The Hollywood Reporter that while the young characters’ dialogue might have been ‘a little stylized,’ it served a crucial purpose: ‘It was all about the behavior, what they’re trying to say.’

A young James Van Der Beek with short blond hair sits next to a young girl with dark hair at a picnic table.
James Van Der Beek alongside Katie Holmes on ‘Dawson’s Creek’ in 1999. He portrayed an aspiring filmmaker, often characterized by his sensitivity, vulnerability, and self-absorption, much like the show’s other remarkably composed teenage characters. Credit: Fred Norris/The WB

Upon its debut on the WB network, Caryn James, reviewing for The New York Times, lauded the characters’ ‘sophisticated awareness.’ However, not all reception was positive; some critics were reportedly uncomfortable with the show’s candid approach to teenage sexuality, leading at least one major corporation, Procter & Gamble, to withdraw its support as a co-producer and sponsor.

The WB network, a mere three years old at the time, saw its fortunes soar thanks to the show’s immense popularity, especially among its target teenage audience. By the series finale, six seasons later, Dawson’s narrative mirrored reality: he became a successful, sexually confident college dropout with his own hit TV series, much like Van Der Beek himself, who was only 26 at the time.

Years later, Van Der Beek candidly reflected on the unique challenges and minor indignities that often shadowed his widespread fame.

In a 2023 interview on ‘Good Morning America,’ when asked what advice he’d offer his younger self, he humorously quipped, ‘Don’t be surprised if six years of work gets reduced to a three-second GIF of you crying,’ before adding philosophically, ‘It’s all good.’

A close-up photo of him in semi-profile.
James Van Der Beek in 2018. His final screen role was in the sports romance comedy sequel, ‘Sidelined 2: Intercepted.’ Credit: Jonathan Mehring for The New York Times

Born James David Van Der Beek on March 8, 1977, in Cheshire, Connecticut, just north of New Haven, he was the oldest of three children. His mother, Melinda (Weber) Van Der Beek, was a dancer and gymnastics teacher, while his father, James William Van Der Beek, worked as a telephone company executive.

At the age of 15, James, already an active participant in school theater, convinced his mother to drive him to New York City to pursue representation with an agent.

Approximately a year later, he made his New York stage debut in ‘Sand,’ a collection of three Edward Albee one-act plays, directed by Albee himself and produced by the Signature Theater Company. David Richards, then The Times’s chief theater critic, noted the young actor’s ‘refreshingly un-self-conscious’ performance.

Vincent Canby, also contributing to The Times, lauded the production’s ‘excellent cast,’ specifically highlighting ‘James Van Der Beek, who plays the boy with the comic ease of someone with 20 years’ experience onstage,’ particularly notable given he was genuinely just 16 at the time.

A black and white photo of two teenagers sitting side by side before a table microphone. Balloons are visible behind them.
James Van Der Beek during a scene from ‘Angus,’ marking his film debut while still a high school student in Connecticut. He is pictured with Francois Duhamel. Credit: Francois Duhamel/New Line Cinema, via Everett Collection

His cinematic career began with a role as a high school bully in ‘Angus’ (1995), a film he shot while attending Cheshire Academy. The same year, he also performed in the musical ‘Shenandoah’ at the Goodspeed Opera House in East Haddam, Connecticut.

In 1997, while studying English at Drew University in New Jersey, he took on the role of a troubled teenager under the guidance of a similarly troubled psychiatrist in Nicky Silver’s Off-Broadway comedy ‘My Marriage to Ernest Borgnine.’ He ultimately left college that year, drawn by the opportunity to star in ‘Dawson’s Creek.’

During his time on ‘Dawson’s Creek,’ Van Der Beek expanded his filmography, starring as a high school football player in the coming-of-age drama ‘Varsity Blues’ (1999), making a cameo as himself in Kevin Smith’s comedy ‘Jay and Silent Bob Strike Back’ (2001), and portraying a jaded, promiscuous, drug-dealing college student in ‘The Rules of Attraction’ (2002), a dark comedy adapted from Bret Easton Ellis’s novel.

A high school football player wearing a white mesh practice uniform over his shoulder pads faces his coach, who is pointing a figure at him.
In the 1999 coming-of-age film ‘Varsity Blues,’ James Van Der Beek portrayed a rebellious high school quarterback, with Jon Voight, seen on the right, as his coach. Credit: Paramount, via Everett Collection

Following the conclusion of ‘Dawson’s Creek,’ Van Der Beek remained a sought-after talent in prime-time television. His roles included a charming womanizing doctor on NBC’s ‘Mercy’ (2010), a witty doctor on ‘Friends With Better Lives’ (2014), an F.B.I. field agent in the ‘CSI: Cyber’ spinoff (2015-16), a superstar DJ in ‘What Would Diplo Do?’ (2017), and a cocaine-snorting villain in the inaugural season of Ryan Murphy’s ‘Pose’ (2018). Notably, in all 26 episodes of ‘Don’t Trust the B___ in Apartment 23’ (2012-13), he delivered a meta-performance, playing a fictionalized version of himself, perpetually harangued by an even larger legion of ‘Dawson’s Creek’ fans than in real life.

His last foray onto the stage was in 2013, performing in ‘The Gift’ at the Geffen Playhouse in Los Angeles, a play exploring the dynamics of married couples at a Caribbean resort.

His final on-screen role was in ‘Sidelined 2: Intercepted,’ the 2025 sequel to the 2024 sports romance comedy, ‘Sidelined: The QB and Me.’

A close-up photo of him staring straight ahead at the camera. He has brown hair and a mustache and wears maroon sports jacket over a pinstriped white shirt.
James Van Der Beek in May last year, following his cancer diagnosis announcement in November of the preceding year. Credit: JC Olivera/GA — The Hollywood Reporter, via Getty Images

In 2003, Van Der Beek married actress Heather McComb, a union that concluded in divorce in 2010. Shortly thereafter, he found love again, marrying business consultant Kimberly Brook, with whom he shared six children: Olivia, Joshua, Annabel, Emilia, Gwendolyn, and Jeremiah. He is survived by his wife and their beloved children.

Reflecting on his acting journey in a 2013 interview with HuffPost, Van Der Beek shared a valuable early lesson: ‘go in and be completely open and just jump in with both feet.’

He concluded with a poignant thought, ‘Everything you do belongs to the audience, ultimately.’

Reporting contributed by Ash Wu.

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